A Bit of Mississippi History - C.M.Carrier’s Lumber and Manufacturing Company and “The Carrier Line”. By David Dickerson
Before railroad development opened up the region, the area known as the Mississippi Delta was covered in virgin hardwood forests. The area between the Yazoo and Mississippi Rivers, and between Memphis and Vicksburg is generally a flat alluvial flood plain interspersed with many meandering rivers and bayous. Even though there were some cotton plantations in the region, it wasn’t until the building of the railroads that region began to develop. The Illinois Central mainline between Jackson, Grenada and Memphis skirted well east of the delta region. The Louisville, New Orleans & Texas RR was built through the heart of the region in 1882-4, and acquired by IC subsidiary Yazoo & Mississippi Valley in 1892. Y&MV built a network of branch lines throughout the delta. As railroads were built in the region, timberland was bought by lumber companies and sawmills built in the region. Land was cleared and cotton planted in the rich soil in the region. Few people today realize the area once was home to many sawmills and logging railroads.
The Sardis and Delta Railroad was one such line that was built as a logging railroad. The owners came south to Mississippi as the great white pine and hemlock forests of the northeast were depleted. Even though the railroad lasted almost 30 years, far longer than most logging railroads in the region, it eventually met the same fate as the rest after the timber was cut.
The story begins as C. M. Carrier’s hemlock sawmill at Carrier, Pennsylvania, cut out and closed in 1897. As an investment, Carrier purchased a tract of 35,000 acres of hardwood timber land in Panola and Quitman Counties, Mississippi. After a cruise was made to determine the value and quality of the timber, Carrier decided to build a sawmill to cut this timber instead of selling it as originally planned. The business was known as C. M. Carrier & Son. A single band sawmill was built on the south side of Sardis, a town on the Illinois Central mainline. This mill opened in September 1901, and had a capacity of 60,000 feet of lumber per day. The plant also had the standard auxiliary equipment- a planing mill, dry kiln, and electric light plant. Later a hardwood flooring factory, veneer mill, and box factory were added.
As the timber was located in the flat bottoms several miles west of Sardis, a railroad was necessary to bring the logs to the sawmill. The Sardis & Delta Railroad was incorporated on December 13, 1900, and built westward to the timber holdings in 1901-2. The railroad’s capital stock of $100,000 was issued to the parent lumber company in payment for the property. The standard gauge railroad was built westward through rolling hills as economically as possible to reach the edge of the company timber holdings in the flat delta. With a minimum of grading, the line was curvy and hilly. Grades on this section were up to 2 per cent. The railroad was laid with new 60-pound rail. Ballast was minimal- dirt with a few stretches of cinder ballast. A logging camp was built at Baptist, in the hills on the edge of the delta, to avoid the mosquitoes prevalent in the swampy areas in the delta.
The lumber company was officially incorporated as C. M. Carrier & Co. in early February 1903. A year later R. M. Carrier, J. A. Reichman, and W. B. Burke bought the interest of C. M. Carrier. In 1905 R. M. Carrier bought out his associates, and the name of the company was changed to Carrier Lumber & Manufacturing Co. R. M. Carrier served as president; A. P. Steele, secretary, and T. B. McCormick, general manager.
By 1908, the railroad equipment of the Sardis & Delta consisted of 3 locomotives, 60 log cars, 1 coach, and 3 flat cars. The railroad extended 28 miles to a point known as Red Gum. Two short branches extended from Red Oak to Dye and from Burke Jct. to Eckles, each being about two and a half miles long. Logging spurs were built from connections with the Sardis & Delta into company timber holdings. The lumber company used oxen, horses, and mules in logging operations, along with two Lidgerwood combination skidder-loaders. The company was cutting cypress, oak, ash, gum, and hickory. In 1913, the company purchased a 3-drum skidder from Clyde Iron Works. A McGiffert loader was bought from the same firm in 1920. By 1917, the mill capacity had been increased to 75,000 feet per day, and a large logging camp was built at Lake Carrier, 21 miles from Sardis.
Call for Auditions !!! It's "The Africa Boku Talent Showcase" Taking place at the Freedom Park in Lagos!!!
Starting January 2017, a talent show (similar to the X-Factor) starts at the Freedom Park, Lagos, Nigeria, culminating in June 2017 where final winners will be selected.
Participants will have the opportunity to showcase their African creativity:
Gate is N200 per person.
Sponsors and advertisers are welcome. For more info contact Mr. Bola Browne, producer. Raymond@brownehillradio.com.
The inaugural show will take place on Tuesday, January 31, 2017, from 5pm – 8pm.
Africa Boku Talent (ABT) is an NGO founded in 2014 in Los Angeles, California USA with a mission to showcase and support African creativity in music/dance, film/stage, fashion/style and more. www.abtinc.org
Freedom Park Lagos, born out of the ruins of Her Majesty’s Broad Street Prisons, was reconstructed to preserve the history and cultural heritage of the Nigerian People. Freedom Park Lagos is a National Memorial, a Historical landmark, a Cultural site & an Arts and Recreation center. www.freedomparklagos.com
FREEDOM PARK LAGOS is located at Old Prison Ground Broad Street, Lagos Island. Nigeria Tel: +2348095006567.
Producer: Mr. Raymond Bola Brown Raymond@brownehillradio.com
Associate Producers: Sadiq Ayuba and Seyi Obagun
Executive Producer: Dr. Peter Deji Osilaja Founder/CEO, Africa Boku Talent
Executive Producer: Mr. Theo Lawson, Founder/CEO, Freedom Park
High-Waves Video Mart in Conjunction with El Klassic Concept releases their 1st film for 2017 "ENI OMO SIN" Grab your Copy now
A brand new Home video from from the stables of High-waves Video Mart Now Available in Video markets around you....
PoPbeachclub is seeking to raise funds to meet the minimum order requirements (10,000m) to buy certified recycled polyester to be used in the production of board shorts
Talented saxophonist Daniel Chia is one of Singapore's fastest rising young talents in the contemporary jazz scene today.
Although classically trained in the music of Bach, Mozart, Chopin and Bartok, Chia's work is also deeply influenced by the work of jazz legends like Miles Davis, John Coltrane, Sonny Rollins and Thelonious Monk, alongside the R&B and soul music of the 70s' and 80s'.
The burgeoning musician has been impressing in America recently where he was invited to session for famed guitarist Zoux, and also played live with smooth jazz luminary guitarist Peter White and Grammy-nominated vocal group DW3.
But he's no stranger in his hometown either, having cut his teeth with hip-hop group SIXX, pop and R&B stars like Sezairi and Gareth Fernandez, and many others within the English and Mandarin adult contemporary music landscape. Furthermore, Chia is also Singapore's youngest saxophone artist signed to Yamaha, and a Silverstein's first pro artist signing from Singapore.
Now ready to go solo, Chia has just recently finished recording his debut album In The Moment in Los Angeles under the guidance of two-time Grammy award winning producer Paul Brown. Featuring his special brand of "disco jazz", the forthcoming record has already got insiders buzzing thanks to his smooth compositions and an all-star band of internationally recognized musicians.
Recently, Chia took to Kickstarter on 17 November to get his record off the ground, hoping to reach a stated S$10,000 goal. Now barely a week into his campaign, the smooth jazz prodigy has already amassed well over his aim, earning S$13,231 as of this publication. And with four days left to go, fans can still continue to pledge to help him out even further.
As you can see, support for Chia from the music scene is pretty healthy at the moment, and with very good reason. Check out a preview of In The Moment below to find out more.
Zanderland Asante . . . CEO/Founder
Zanderland (Zan) Asante is the founder and CEO of Poet in Flight Studio, Poems in Bloom Academy, Creative Seasons Music Publishing, BMI, and UP Ministry. She has served as a communication professor at Morgan State University and Howard University; talk show producer at WBAL radio (Baltimore) and WBZ radio (Boston); and development director & announcer at WEAA radio (MSU). With a love for music, she is a voting member of the Recording Academy (Grammy Awards) and a member of BMI (Performance Rights Organization). Zan holds a B.S. in Communication Studies from Morgan State University and a Master’s in Public Relations from Boston University. She has been a member of the Alpha Kappa Alpha, Sorority, Inc. for nearly 30 years.
The Poet . . .
Zan’s writing style is comforting, inspiring, and healing and many describe her voice as velvet that soothes the soul. Her poetic melodies are gracefully being shared throughout the world. As a spoken word with music artist, she did not wait for record labels, rather decided to start her own music label and publishing company to market her unique gift. Her latest CD “Poems in Bloom” is a fresh collaboration of poetry, music, Psalms, and other Scriptures to inspire, refresh, and heal. It is a reflection of her healing journey through faith, strength, and courage. “Poems in Bloom” was included on the first round ballot of the 59th Grammy Awards and received positive acknowledgement from Grammy Award winning musicians.
Family . . .
As a wife and mother, Zan says family is precious! She has been married to Minister Tony for 23 years and they have two beautiful children (Kofi, 22 and Zanbria, 20).
The Minister . . .
Zan is a prophetess, intercessor and pre-marital small group leader. She and her husband teach classes and mentor couples. “We are thankful & trusting in The Lord Jesus Christ.”
The Athlete . . .
A 4 time All-American athlete, Zan ran track for more than 10 years. Excelling in the 100, 200, 400 meters, 4x100 & 4x400 relays she competed in high school (Fowler in Syracuse, NY) and college (Morgan State Uni.).
Testimony . . . In Her Own Words
“At the age of 8, life changed for me as my lens went from colorful rays of childhood happiness to a view that struggled to find the sun and rainbow. My father died of a massive heart attack at the age of 44 and less than one year later my mother was murdered (a victim of gun violence). “I am always thankful for the love and embrace from my big brother, grandmother, aunts, uncles, cousins, friends, and mentors.
Although I continued to move through my journey with those who loved me, I still did not have the skills needed to process these tragedies and realized later in life that the grieving journey is manifested in several stages. In retrospect, I experienced all of them, including shock (denial), anger, depression (loneliness), restoration, and acceptance & hope. Running served as therapy for me.
It represented both physical and spiritual hope and healing. Physically, the exercise helped to boost my mood and often relieved grief. Spiritually, I embraced God’s Word, ‘run with endurance the race set before you.’ God has truly blessed me and I thank Him for His Son Jesus Christ, the Author and Finisher of my Faith.”
"My message . . . Don't give up! Stay in the race"
Tawana Lael is considered a triple threat in the entertainment industry and she is quickly claiming her place on the world's entertainment radar. Her song, "Plan B" from her debut album 'Journey To Love" was recognized as one of the top songs in Billboard's 17th Annual World Song Contest.
Kristinia DeBarge knew she wanted to be a singer at the age of three. She grew up listening to strong female vocalists like Mariah Carey, Christina Aguilera, and Alicia Keys. She credits DeBarge, Mariah Carey, Prince and Aaliyah as her musical inspiration. As a young girl, DeBarge had big dreams of being a singer but kept it from her father until he took her into a recording studio at age twelve. They worked until 4 A.M. recording a duet, which made him realize she was serious about beginning a singing career. At thirteen, she appeared on American Juniors, a younger version of the wildly successful American Idol. She made it to the Top 20. At fourteen, she met Kenneth "Babyface" Edmonds and spent the next four years developing her voice and writing skills. At nineteen, DeBarge signed a record deal with Sodapop/Island Def Jam.
Her debut album, "Exposed" was released on July 28, 2009. The album debuted at number 23 on Billboard's top 200. Her first single, "Goodbye" debuted at number 75 on the Billboard Hot 100 singles chart, and later reached number 15 on the charts. And in Canada, it reached number 15 on the Canadian Hot 100. The single sold over 2 million copies reaching Platinum status and later reaching Gold twice. The music video received an MTV VMA nomination.
DeBarge's second single, "Sabotage," was sent to radio a week before the release of "Exposed." The remix of "Future Love" (featuring Pitbull) was released as the third single. This remixed version was released on November 2, 2009 in the UK and November 10, 2009 in the US. "Exposed" received positive reviews from major critical websites, such as Blues & Soul, People Magazine, and AllMusic. DeBarge opened up for pop singer Britney Spears, during the 2009 world tour, "The Circus Starring: Britney Spears" and received an NAACP Image Award nomination for "Outstanding Artist." In November 2009, The Wet Seal, Inc., a leading specialty retailer to young women, announced a partnership with her.
She independently released a single entitled "Cry Wolf." The music video was featured on VEVO. She was also featured on Redrama's single, "Let Go," which reached number 3 on the charts.
DeBarge made her acting debut in Christmas in Compton (2012), starring Keith David,Omar Gooding,Eric Roberts and Sheryl Lee Ralph. DeBarge played the female lead (Anastasia) in a film written and directed by Nick Cannon entitled School Dance (2014). DeBarge was cast as the female lead (Melody) in The Mint (2015).
In early 2016, DeBarge starred in Growing up Hip Hop, a reality TV series on the WE network, with Boogie Dash, Egypt Criss, TJ Mizell, Angela Simmons and Romeo Miller; and its second season is currently airing.
Kristinia is currently collaborating with some of the industry's top producers and songwriters in anticipation of releasing her third studio album.
Sharon McConnell-Dickerson is an artist, lecturer, teacher, and speaker. Her work is featured in numerous exhibitions and included in museum, university, and private art collections.
Originally from New England, she worked as a flight attendant and chef on corporate jets. In addition to heads of major corporations, she flew with such notables as George and Barbara Bush, Donald and Ivana Trump, Al Haig, Henry Kissinger, and others.
After working in the corporate world for seven years, a turn in her life took place at the age of twentyseven. She woke up in Chicago blind. She was eventually diagnosed with Uveitis, a degenerative eye disease. After several years of surgeries and treatments she became
involved with sculpture. "Sculpture is the vehicle by which I access a lost sense," she says.
She moved to Santa Fe, New Mexico in 1996 to study all aspects of art. Taking a traditional approach, she learned from teachers and mentors including Arlene Siegel, Robert Refvem, Sam Scott, Dean Ericson, Ulrich Franzen, and Agnes Martin. She also went to Paris, France. There with the assistance of the curators and education directors of the museums and galleries did intense
hands on sculpture and art studies in premier galleries and museums.
After only ten months of study, she had produced a body of work consisting of eight bronze sculptures. Her earliest influence was Native American Blind Sculptor Michael Naranjo who showed her what was possible and rewarded her with her first solo exhibition at the Moxley, Ross, Naranjo Gallery.
Her first life-sized work is reminiscent of French figurative sculptor Maillol. Her life-cast work is
in the same tradition and methods of master life caster George Segal.
It is for her life-masks of legendary blues musicians that McConnell-Dickerson is best known. "I wanted to discover the faces behind the music I love, so I went to Mississippi to map out the visages of the real Delta Blues men and women." Her project took root and found a strong direction of its own, leading her to create masks of fifty-two musicians.
This body of work has been exhibited in the New Mexico State Capitol Rotunda, the Albuquerque Museum, Willie Dixon’s Blues Heaven Foundation in Chicago, Blind Faith Gallery in Clarksdale, Mississippi, The Blues Music Awards in Memphis; the National Civil Rights Museum in Memphis; the Mississippi Arts Center in Jackson, Mississippi; the Tunica Museum in Tunica, Mississippi; Blues Passions Festival in Cognac, France, and at the Galerie le Clos d’Epicure in Cahors, France. It is currently touring with Exhibits USA-Mid-America Arts Alliance.
Another edition of 40 masks are also touring the U.S. She donated the original life-casts to the Delta State University Archives.
Now almost totally blind, Sharon is seeking venues to exhibit her works, conducting lifecasting workshops, lectures, and demonstrations, and travelling. She is also painting large scale
minimalist works in oil on linen.
Sharon insists that all of her exhibits (with the exception of the
originals) be fully accessible to people with disabilities, and are please touch exhibits.
Sharon moved to Mississippi in 2006, where she met her husband David. They, along
with her guide-dog Avatar are residents of Como, Mississippi.
For more information aon her works go to http://mcconnelldickersonart.com/..
The Indie Artist's jukebox will be an awesome show tonight November 29 2016.. check out the lists of guests who will be on the show..!!!
Colonel Abrams is Died. So many seem to have had forgotten about him!!! Why??? because he was broke and homeless???... May His Soul rest in peace..
*Sadly we must report that death has claimed the life of another celebrity this this weekend. 80s soul singerColonel Abrams is no longer with us. According to reports, he died on November 25 at the age 67.
SoulTracks.com says that it was nearly a year ago that they reported that Abrams was suffering badly from diabetes and was financially strapped by the illness.
The Detroit-born, Manhattan raised singer began playing both piano and guitar while still quite young. By the mid 1970s he became part of the band Heavy Impact. But it was nearly a decade later that Abrams really made a name for himself with the big hit “Music Is the Answer.” It began a string of dance hits that capitalized on the electronic sounds that were popular in the mid 80s, and included “The Truth,” “Over and Over,” “I’m Not Gonna Let You,” and his biggest song, the dancelicious international hit, “Trapped.”
Here’s what Wikipedia says about Abrams:
From an early age, he began playing the guitar and piano. He was in several early bands. Among them was Heavy Impact in which he played both guitar and keyboards alongside Joe Webb (guitar), Lemar Washington (guitar), Marston “Buffy” Freeman (bass guitar), Ronald Simmons (drums), Harry Jones (trumpet) and Barbara Mills (saxophone). In 1976, he formed Conservative Manor, 94 East (the band featuring Prince on lead guitar).
He became popular on the New York underground scene via radio and club play, and had his first major hit in 1984 with “Music Is the Answer” on the independent label Streetwise. Other hits in the mid 1980s included “Leave the Message Behind the Door”, “Trapped” (a top ten hit in the UK, Ireland, Germany, and the Netherlands), “The Truth,” “Speculation,” “I’m Not Gonna Let You” and “Over and Over,” establishing Abrams as a solo artist, initially in Europe and later in the US.
His biggest hit, “Trapped” reached the top five in the UK Singles Chart and topped the US Hot Dance Music/Club Play chart in 1985, followed by his self-titled album, which spent two weeks at number one the following year. It was estimated by the Phonographic Association that “Trapped” sold over five million copies worldwide by spring 1987. An electronic remix of “Trapped” was later released in 1995 by Boards of Canada, under the pseudonym Hell Interface. A new version of “Trapped” (“Trapped 2006”) was released in the UK.
“I’m Not Gonna Let You” also spent a week at number one in the dance chart in 1986. The album peaked at number 75 on the US Billboard Top 200 and Number 13 on the US Top R&B/Hip-Hop Albums chart. Although Abrams had no American pop hits through his career, he had a number of entries on the US Hot Dance Club Play chart in the 1980s and 1990s, including four entries that hit number one. In 1987, he had his fourth number-one US dance hit with “How Soon We Forget”, the same year that he released his second album, You and Me Equals Us.
Soul Tracks Also writes that Abrams continued to chart on the Dance and R&B charts into the mid-90s, and performed around the world into the new century. He also formed his own Colonel Records and released music sporadically through the early part of this decade.
Unfortunately and tragically, by December of 2015, Abrams was quite ill and homeless, and his friends began a crowdfunding campaign to help him pay for his medical treatments.
Thanksgiving began in the fall of 1621 when a group of Native Americans joined with newly arrived English settlers to create a harvest feast together and protect each other from violence.
This year, as Americans pick out their turkeys and count their blessings, members of the Sioux Nation in Standing Rock, North Dakota, reported being attacked with tear gas, rubber bullets and water cannons in subfreezing temperatures as they protested an oil pipeline that threatens to contaminate their water and disrupt their sacred sites. Approximately 300 Native American and non-native protesters were injured in one 10-hour clash with law enforcement on Sunday evening, according to the Standing Rock Medic & Healer Council, and 26 were taken to hospitals with severe head and limb wounds, eye trauma, internal bleeding and hypothermia from being doused with water in 22-degree weather.
“Basically, it’s an act of war,” said Frank Sanchez, a delegate from the Yankton Sioux Tribe, in an interview with The Huffington Post.
The government says the $3.7 billion Dakota Access Pipeline is the safest, most efficient way to carry crude oil from North Dakota to Illinois. But the project has become a rallying point for Native Americans because the pipe would cut under the Missouri River within a mile of the Standing Rock Sioux Reservation, potentially contaminating the local tribes’ source of fresh water and encroaching on land that the U.S. government had agreed to set aside for them in an 1851 treaty. The clash between protesters, who call themselves “water protectors,” and North Dakota law enforcement reached a boiling point on Sunday, when force was used to keep protesters off a barricaded bridge about a mile south of the pipeline construction site.
XThe Morton County Sheriff’s Department said the demonstrators were being violent. The Sioux ― who have long suffered economically ― say the blocked-off bridge is the main access point to their reservation, and they are trying to protect the land and water that have sustained them for centuries.
“I’m a prisoner of war in my own land,” said Sanchez. “That’s the only way I can see it. We have the right to hunt, fish and gather, as we always did, but all the barbed wire fences and posts to ‘Keep out’ have to come down so we can continue living the way we’ve always lived.”
Sanchez, 61, is in Washington, D.C., this week lobbying the federal government on behalf of the Sioux tribes. He is a direct descendant of the man who signed the Treaty of Fort Laramie in 1851, in which the U.S. government ceded portions of five states to the Sioux and agreed to strict rules preventing outsiders from accessing Sioux territory. But Congress soon broke its end of the bargain by seizing the Black Hills of South Dakota in 1877, when gold was discovered there ― and the government’s land grabs have continued.
“This issue could have been settled years ago, but we don’t have the money for attorneys to represent us,” he said.
The government seems to have at least recognized the problem, temporarily suspending construction in Standing Rock. Last week, the U.S. Army Corps of Engineers said it needed more time to decide whether to build on Sioux land.
Culled from Huffmanpost